The CIA connection: Why we no longer take certain celebrities seriously
By Izazi Team
Did you know that an artist called Something Soweto was part of a CR17 campaign and the song Akanamali that launched his music career back in 2017 was actually a mock-up to Dr Nkosazana Dlamini-Zuma’s cash strapped Nasrec campaigns?
That’s why that artist was heavily promoted by radio stations and TV platforms and handsomely rewarded; 3 years later with a performance at that damp squib of a January 8 Statement rally addressed by Ramaphosa in Kimberly last January.
Another artist you didn’t notice back then, a one hit wonder of that era in 2017 who was on the same band wagon is faded kwaito ‘star’ Dladla Mshunqisi. He won a song of the year award with his dumbing down song: ‘Aye ye, aye ye...’ that was also used as mock-up against RET campaigns. As soon as Nasrec phased out; the distraction also fizzled out.
Some of these celebrities are working like war mercenaries. Hitmen you hire today to destroy your enemy and dispose of the following day like a condom. It is a long standing tradition of the Illuminati to use actors and singers to get their point across. There are many talented artists out there who are being sidelined by embedded radio stations from getting airplay for an average artist you hear every day on radio because they are not part of this Black mental genocide.
For example, there is big clown of a motivational speaker from Durban who also masquerades as a pastor. He is also working for a certain SABC radio station. To gain fame and popularity, you won’t believe this, he used one of the most despicable and ingenious schemes to launch his pathetic career by taking photos of his bum and posting them on Facebook. As if that was not enough, and wait for this grand finale of sheer madness; he justified this stupid gimmick by blaming a nonexistent girlfriend for it! To this day nobody knows the identity of that ‘disgruntled blackmailer’. Because the whole thing was staged. She doesn’t exist. Today the nude monk is not even aware that he owes one concerned citizen a castrated bull goat for traumatising his daughter with those nude photos.
For more about the picture above, follow this link
He was browsing his phone in the company of his daughter when they accidentally came across the porno movie on Facebook. “It felt like I was being hit by a train when I came across that thing by accident in front of my 10 year old daughter. I don’t know how I survived a stroke that day. Some dimwit had just decided to share the whole filth on my timeline and there was my 10 year old daughter with me when I saw this disgusting thing. The day I meet this pastor on the street I want him to tell me why he decided to wake up and greet the whole country with his bum that day. To this day I still have flashbacks of that disgusting stuff I saw that day in front of my own kid.”
This is how this desperate little scammer staged everything up to launch his diabolical career to dumb down black people as a motivational speaker and ‘pastor’. But what about all the little kids who saw his polo lo donkey? Does he give a damn? No. All that mattered to him was fame and sympathy and ‘argh shame’ from those blind enough to fall for this scam. The phoney never apologised to his disciples for sleeping around, nor was he heard apologising for traumatising little kids like that.
Singer Kelly Khumalo’s career was also launched in the same fashion, when she spread her legs without panties on stage and a tabloid photographer happened to be there at the right time to capture the whole thing. The next thing the nudes were on tabloid newspapers and going viral on social media. To this day everybody is still talking about Kelly’s punani.
Do you think the whole thing happened by accident? No. The whole thing was also the same staged stunt the bullethead would pull a few years later to launch his ‘pastoral’ career. The rest about Kelly’s music career after that stunt is history. The woman is today old enough to be a grandmother, yet like Tina Turner, she still appears on her music videos wearing lingerie!
Tina was the first black woman celebrity in the 70’s who was used by the Illuminati to sell 'Single Lady Power' and 'Men are Trash' campaigns in US. “My boyfriend Ike Turner abused me” was her slogan for this black family destruction crusade sponsored by the CIA. Ike Turner abused her, which was wrong, but what did Ike had to do with performing naked on stage in front of kids as a gogo?
Why Senzo Meyiwa’s case remain cold almost ten years later? Because it is the CIA that sells drugs in South Africa and the same CIA controls many powerful politicians in the country and it is these politicians who are smudging the trail of Meyiwa’s killer, which, if uncovered, would lead to the door of these faceless Ashkenazi Jews who are destroying black communities with all sorts of social ills you can imagine in South Africa today. For more information about CIA’s organized drug trade, read the book: News of a Kidnapping by Colombian writer Gabriel Garcia Marquez, on how the FBI claimed the world’s most feared drug dealer; Pablo Escobar, head of the Medellín drug cartel in Colombia, who had kidnapped ten notable Colombians to use as bargaining chips was on their top wanted list while in actual fact he was working for its counterpart; the CIA.
Brenda Fassie made a promise to Andrew Molefe, a prolific entertainment journalist in 1999 that in her next interview with him she will tell all about who sells drugs in Parliament. A publication he was working for; e'Vibe Music Magazine was systematically destroyed after that by the White Monopoly Capitalists and Brenda died of a 'drug overdose’ a few years later.
Remember the smoking gun that suddenly went cold about 'blood diamonds' that were allegedly smuggled through ex-model Naomi Campbell to South Africa during what was sold as her courtesy visit to former President Nelson Mandela in 2006? This came out during the trial of former Liberian President Charles Taylor by the International Court of Injustice in Prague.
Turns out that former Liberian President Charles Taylor told the court in Prague that the purse that Naomi Campbell was carrying during her courtesy visit to Mandela’s residence in South Africa in 2006 had what was called ‘blood diamonds’
What Naomi was implicated in is what a number of other celebrities are silently doing worldwide, smuggling diamonds and drugs, as those in the intelligence services will tell you that US celebrities like Beyonce Knowles are flying in and out of Cape Town unnoticed. And you still wonder why there is so much drug related violence in the Cape Flats? Yet your political system blames everything on the lack of police efficiency, a smallest cog and scapegoat in this huge sinister network to save face. Something that well-known politicians on the CIA payroll are responsible for.
So the guy that appears every day on TV speaking against drug abuse is the same guy who is selling them. Welcome to justice according to Western political system of madness. Ask one former Police Commissioner how the thieves broke into his home and walked away with a million rand in cash and how he coined the slogan ‘shoot to kill’ after that. And you still wonder why he crossed the floor. How could he explain that million rand stash?
In a Western democrazy the unofficial rule is: “Don’t get caught stealing without a license to commit crime.” So you don’t join them because you like them, you join them because they know something about you and you are trying to stay out of jail. Some people are in desperate need of Adolf Hitler’s manual: How to neutralise a blackmailing Jew – The Night of the Long Knives.
Back to the topic. So the anti-Radical Economic Transformation contingent is huge and involves a plethora of embedded celebrities, pastors, Bishops, politicians, radio/TV presenters and journalists. And perhaps, as an RET activist you unconsciously do not see the underlying agenda here because it comes to you wrapped in so many disguises. You even attend these celebrity askari festivals to support them when in actual fact you are financing your own destruction. Like buying that daily newspaper that always screams: “Black people are rapists in South Africa” on its first page with your own money! You are unconsciously financing your own indignity!
This celebrity breed is as dangerous as Rape Radio Presenters (RRPs) at SABC. If you read our website, you most probably know a lot about these worthless scoundrels by now. If they are singing artists, you will notice them by receiving too much airplay on radio and TV for singing about ‘nice bums’ and ‘partying all night long’. They are played too often on radio than other more talented artists you know whose lyrics make more sense to you.
For example, for a long time you have been led to believe that 2Pac, Biggie Smalls and Snoop Doggy Dogg were the best US rap exponents of the ‘90s because in South Africa they were the only rap artists you regularly heard on radio and saw on TV. But African-American intellectuals beg to differ. There are rappers, most of whom are far better in talent and lyrical content than three of these combined that you never hear about on your radio or see on TV.
Why? Because they don’t serve an Illuminati agenda, which controls and bribe broadcasting corporations to play embedded artists whose lyrical content serves to dumb down African people. For example, most of us danced our ankles to near sprain to Mdu’s Mashamplan when we were growing up in the 90’s, but come to think of it today as an adult, what kind of a guy would you refer to as a Mashamplan in your neighbourhood today?
For example; you must sing very dumb lyrics to get airplay on SABC radio these days. Or else sing endless praises to women and call all men trash in your songs to get noticed. And you must be very slow between the ears to be considered for radio presenting job at SABC. If by any chance you are incisive and you end up working there, you won’t last. You will learn the hard way that such platforms were not created for MCs who want to build black society but for microphone askaris willing to do the job of dumbing down their own fellow black people for a monthly salary. You break these rules, you are shown the door. Ask Linda Sibiya, the late Vukani “Chilli M’ Masinga, DJ Sbu, Kci August and Ngizwe Mchunu, they will tell you.
That’s why you don’t hear from these other artists whose lyrical content conscientises black people at SABC because their content cuts thorough your sub-consciousness like a knife, to awaken you up and advertisers who invest there; the White Monopoly Capitalists do not want that. Have you ever heard a song by Ice Cube or Rakim on SABC; the founder of rap music? No. Why? Because they do not promote black on black violence in their songs like your familiar gangster rapper.
Here we speak about rhythm and poetry (RAP) master game changers and MCs like Grandmaster Caz, KRS 1, Ice T, Melle Mel, Immortal Technique, Doug E. Fresh, Nas, Q-Tip of A Tribe called Quest and others. And while you still wonder who we are talking about here; you’ll realize that you have probably never heard of Chavez Guevara too from South Africa because the SABC, eTV and DSTV will never play his songs on air because he exposes their Illuminati bosses. His lyrics are laden with African Peoples Nation building content; something that causes a white racist sleepless nights.
These artists are not played on radio or TV because your airwaves are owned by slave masters called White Monopoly Capitalists who do not want you to hear messages that will rearrange your psyche as an African. They prefer to promote their own Mumbling Jacks who sing about ‘sex me baby' stuff to dumb you down.
Did you know that a guy called Paul Simon claims to have ‘discovered’ Amambazo (Ladysmith Black Mambazo), yet Amambazo were there long before he even started singing? No, Amambazo actually discovered him, not the other way around. For example, we black people in South Africa would have hardly noticed or known about Paul had he not associated himself with Ladysmith Black Mambazo.
Today we know that Paul was sent by that CIA agent called Henry Kissinger to South Africa on a mission to neutralize an apartheid regime’s number one cultural revolution menace; that People's Band called Stimela, just 2 years before the apartheid government collapsed in 1988. Was it a coincident that Paul Simon embarks on a Graceland tour in 1986 of ‘discovering new talent’ in South Africa a year before the ANC got engaged in a fierce military showdown with the South African Defense Force in Angola in 1987, a battle known as the Battle of Cuito Canavalle today, which the liberation movement would win the following year in 1988?
In an interview back then with Steve van Zandt; Paul was very arrogant about violating the cultural boycott in South Africa and busting sanctions by recording some of the Graceland album songs in the country.
Steve van Zandt
Steve says: “Yeah, and he actually had the nerve to say, ‘Well, I paid everybody double-scale.” Steve goes on about Paul Simon’s arrogance about violating cultural boycotts in South Africa: “He knew more than me, he knew more than Mandela, he knew more than the South African people. His famous line, of course, was, “Art transcends politics.” And I said to him, “With all due respect, Paulie, but not only does art not transcend politics… art is politics. And I’m telling you right now, you and Henry Kissinger, your buddy, go f*ck yourselves.”
Paul Simon comes to South Africa under the guise of ‘music development and talent search’, only to divide and conquer The People's Stage Revolutionary army called Stimela by stealing its guitarist and lead vocalist Ray Phiri under the guise of developing his skills in US, an evil manoeuvre that led to the bands downward spiral afterwards that ultimately saw it collapsing 15 years later. The band waited and waited for the return of Ray from US and when they realised they had lost the man, they proceeded without him. But their repertoire was never the same without Ray. The real spark plug in their system was now missing. Stolen by Paul Simon. CIA mission accomplished!
Turns out Paul Simon's Graceland Tour to South Africa was a political project
The strategy is simply called divide and conquer. Assignment: “Paul, go to South Africa and capture the main component of that revolutionary missile called Stimela whose warhead is Ray Phiri. Trick the group with the promise of ‘music development of its leader’ overseas and the revolution storm that band is currently brewing up in that country will disintegrate in his absence. But for your sinister agenda not to be easily busted, ‘discover’ another band in South Africa and turn them into an international icon. You will use that band’s name as your Reconstruction and Development Project to save face and bring them here to America. We will keep your candle burning and your sinister political agenda in disguise by rewarding your new protégé with Grammy after Grammy award so that what you did to the band Stimela will be suddenly forgotten by all black people in South Africa.”
Why do you think AZAPO organised a rolling mass action against Paul Simon’s Graceland tour to South Africa in 1986? It is because Paul came to perform in South Africa at the height of apartheid, when the country was under severe sanctions by the international world in solidarity with the oppressed black people.
So, in other words AZAPO realised Paul was in South Africa to play a cosmetic surgeon to the collapsing apartheid regime under the guise of ‘discovering’ new talent. Which explains why apartheid spies are so smitten with US politics and such political skunks like Donald Trump. The US was instrumental in keeping the apartheid government alive by offering military training and weapons to the South African Defence Force to kill the ANC in exile, the same way they were using Paul Simon to neutralise Stimela to kill the revolution.
Now do you see why the apartheid spies in this political party that uses the ANC name today to take the country back to the apartheid days called CR 17 to defend White Monopoly Capital are protecting F.W de Klerk? The very White Monopoly Capital that was oiling the apartheid machine to kill the ANC in exile is in bed with CR 17!
So the only way Paul could accomplish his sinister CIA agenda under the circumstances would be by coming to South Africa under the guise of some philanthropic mission, as a man who had come to ‘groom’ new talent. He identified Amambazo as his Reconstruction and Development Project to save face to make his destruction of Stimela on the other hand invisible.
He was like a fake doctor standing between two patients in their hospital beds, healing one with one hand and strangling another with the other hand. If you caught him red handed doing that; in a Western court of law he would plead his innocence on the grounds that: “But I healed the other patient, so how could I kill the other one at the same same? Believe me Your Honour; as a good doctor I was just trying to save both of them at the same time but unfortunately my hands were full and I lost the other one.” And like that despicable judge who let the SARS Rogue Units free to roam the streets in the proverbial North Gauteng High Court yesterday; only a fool would buy into this baloney.
Remember, at the same time; SABC had just banned Stimela’s revolutionary songs from the airwaves, especially the hard hitting“Whispers in the Deep” from the classic album: Look, Listen and Decide.
It is not clear what Paul Simon meant by ‘grooming’ Stimela’s lead vocalist Ray Phiri (in the middle) because the whole crew in the People’s Band were music experts and producers. Every artist’s gesture in this picture says a thousand words: For example, take note of Thapelo Kgomo's (first from left) left hand that is raised up in a revolutionary mode of ‘Amandla!” but is slightly obscured from visibility, indicating censorship. Take note of the other hand too that is visible to the camera, yet is posing downward in a revolutionary fist mode behind his back to signify censorship yet again
Paul’s mission is reminiscent of these US based and widespread NGOs like USAID, who come here under the guise of fighting pandemics and poverty while behind the scenes they are cooking incentives to develop the same scourges to destroy African people.
Paul Simon is an Ashnekazi Jew, so is the same white woman who ‘discovered’ the Soweto Gospel Choir, Beverley Bryer, another 'founder' of a ‘Grammy award winning’ group in South Africa. This is an attempt to capture the township of Soweto since it is a well known bastion of political revolutions against apartheid. That’s why the Ashkenazi Jews are trying to turn that township into some suburb and neglecting all other townships, because Soweto remains a springboard from which many political revolutions and their leadership has arisen.
The bottom line is that all townships in South Africa are products of a diabolical system called Urbanisation that was created by the Oppenheimers to keep black people confined in small spaces so that they depend on supermarket food for survival.
After Land Expropriation without Compensation black people will now have a choice either to remain factory slaves in the cities or become self sustaining communities cultivating crops and growing their own livestock in their own plots, so that they don’t depend on a butchery for meat supply. A giant step to set black people free from factory slave wages and dependence on a white farmer for everything under the sun. So turning Soweto into some suburb is a desperate attempt by the Urbanisation system developers to distract Sowetans from becoming a radical cog to real revolution and freedom; Land Expropriation without Compensation.
Therefore, we stopped recognizing the Grammies the day they were lavished on an average rapper and self-confessed satanist Jay-Z to undermine talented artists like 2Pac and Biggie Smalls; who were beginning to rebel against the Illuminati control.
If you are still battling to understand this phenomenon, ask yourself this question: “Why every successful black soccer coach who has been hired by Kaizer Chiefs or Orlando Pirates, for example, in South Africa hardly makes it to 3 seasons or beyond?”
Because there are faceless wolves out there; the white racist mafia called Bookmakers who decide in this day and age which soccer team becomes big or smaller, lose or win the games by fixing match results. Every time this scam arises in the media it soon fizzles out. When fans in the English Premier League almost ripped each other apart after it became clear that a match outcome between Liverpool and Manchester United had been rigged in the 80s, someone mentioned the Bookmakers as culprits. But the story didn’t last long as the mainstream media decided to blame everything on hooliganism, something that has cost British soccer fans a long dry spell of an opportunity to host a soccer World Cup in their country for decades now.
The sucker here is always a soccer fan, whose betting loss makes too much money for Bookmakers to pay the referees enough incentives to influence match outcomes. These Bookmakers can even go as far as paying a big team officials huge amounts of money, if its management is corruptible, to pay certain players, or a goalkeeper, to sell off a game so that the losing team with more betting punters will get a huge cut from the money made from losing punters. This is how black coaches lose their jobs with bigger teams. However, both ways the biggest loser and a sucker for this scam, like a voter in the game of politics, is a soccer fan.
So if you thought the most lucrative income in the soccer industry comes through the ownership of a big soccer club in your country, think again; the real money is not there but in the betting industry; the Bookmakers’ 'paradise'; the real owners of the game.
For example; Chiefs and Pirates do not only become successful when they are coached by white coaches in South Africa because white coaches are better than black coaches… white coaches are made successful by imperialist Bookmakers who make sure behind the scenes that only white coaches win the games for bigger teams so that this high-paying job becomes a fiefdom for white coaches only, to sell white supremacy. In case you haven’t noticed; South African referees become harsher to clubs like Kaizer Chiefs and Orlando Pirates if they are guided by a black coach than when it is a white man in charge.
That’s why you do not see a sizeable number of white players plying their trade as soccer players in South Africa. It is not because there are no top white soccer players in the country. It is because PSL is still fully controlled by black people; therefore the organisation still lacks lucrative sponsorships that you find in the game of rugby and cricket to attract white players.
The apartheid economy aka White Monopoly Capital would never invest substantially or sponsor any organisation that is fully controlled by black people like the PSL in South Africa. This is what they are doing to the black led ANC government, using the apartheid spies to steal its SoEs so that a black government would ultimately collapse. So the only job white people can apply for in the soccer industry in South Africa, which can pay them within their own living wage or Living Standard Measurements (LSM) bracket in the PSL; is soccer coaching.
But how can they make sure that soccer coaching positions in bigger teams become a white man’s fiefdom only in South Africa? Enter the Bookmakers. By manipulating match outcomes through the bribery of soccer referees in favour of white coaches to create a myth that only white coaches are capable of handling big soccer teams in South Africa. Have you noticed that when a white coach gets sacked, SABC reporters will tell you that they resigned or they simply left the club of their own free will? It’s black askari embedded journalism assisting in selling white supremacy.
And now you ask yourself: "But how is Pitso Mosimane succeeding at Sundowns guiding a big soccer team as a black coach?”
Good question. Now it boils down to your definition of a big soccer team. Teams do not become big because of their fat bank balances or how often they win games. All that matters to Bookmakers is fan base. So with lack of fan base; Sundowns is not yet a big soccer team as far as Bookmakers’ business is concerned. In fact one would rather say Bloemfontein Celtic is bigger than Sundowns because of the former’s huge following.
Commanding a huge following is the only yardstick used to measure the size of a team as far as the betting industry is concerned. All that matters to Bookmakers is how many punters can you attract to their coffers. Even the devil rewards you if you bring more stray dogs into his church of human destruction. Simple as that. Only numbers count in the devils game of cheating and to hell with the size of your purse or game victories.
As long as Sundowns remains so wanting in terms of fan base, to the Bookmakers it doesn’t matter how many games the club wins or loses. If those wins or losses do not translate to bulk revenue in terms of betting income, Sundowns remains irrelevant to white coaches; whose survival depends on the manipulation of the games by Bookmakers to make them richer. So Pitso's job remains safe, for now, until the Sundowns circle becomes bigger.
